Music is something that I thoroughly enjoy. Even as I am typing, I am listening to Chris Sligh’s “Empty Me,” a major hit on Christian radio. I also respect music, acknowledging its impressive power. After all, music is one of the most powerful forces in the world, and in my mind arguably the most powerful force ever conceived by man: guns, missiles, and nuclear bombs have the power to take life on an enormous scale, true enough, but music has the ability to affect the state of one’s soul in a more profound way than anything else. I look at it this way: a gun can take someone’s life; music can convince that same person to give their life for you.
The youth group that I have attended for three years has covered a unit of music a couple of times and our teacher puts it this way: music is a combination of two of the most powerful forces in the world. One is sound with a beat, rhythm, a sense of organization, etc. With music, we are taught our ABC’s when we are five years old and we never forget them. I learned the books of the Bible through song, and I remember them to this day in perfect order. The other force is words, which are one of the most powerful forces in the world. With words alone, the President can cause the deaths (or continued existence) of thousands or millions of people; with words, a husband can either reinforce or end his relationship with his wife. Put words and rhythm together, and what do you have? Music, a synthesis of two ultra-power elements.
So, the question becomes, how does this relate to the “Corruption of the West” spoken of in the title? Think of it this way: a great man once said that you can gauge the health of a society by hearing its music. Okay, fair enough, right? I don’t know about you, but when last I was listening to the mainstream radio, I was hearing a song entitled, “The Seven Things I Hate About You,” written from the perspective of a girlfriend who is vocally (and vehemently) expressing her anger at her boyfriend for the many things that frustrate her. If I was to gauge the values of the entire society on that one song, I should think that our society values hatred and intolerance. Of course, I believe that in reality, that would be an accurate though incomplete evaluation of Western society.
As a Christian, I believe that such music corrupts our society because of the exact nature of music. I know that when I listen to a song that talks of anger and rebellion, if I hear the song enough times, I start to find myself reciprocating the emotions expressed in the song. This is because of the way our brains are hard-wired: the same part of our brain interprets speech and maintains the beat and rhythm when performing music.
Music is by its nature emotional, and this is not a bad thing. Aldous Huxley is quoted saying, “After silence, that which comes nearest to expressing the inexpressible is music,” and I concur with this: music seems to awaken within us an otherwise-unresponsive longing, which is best expressed through music. The danger is to deactivate the rational aspects of our minds and completely switch on the emotional side.
This also hits on a major part of my personality, the closely-contested dialectic tension between the rational and emotional aspects of my soul. I understand that I require my mind to guide my emotions; I need my emotions to give life and joy to my mind. To lean to much in either direction is to lose life either in the form of lost joy or direction-less emotion. I also believe that this makes me a stronger, more complete person, much in the same way that Jeffrey Hart acclaims that the Science-Religion dialectic of the West has granted it greater vitality than any other civilization in Smiling Through the Cultural Catastrophe.
The reason I speak of this at length now, however, is because I have just this afternoon read more from Allan Bloom’s The Closing of the American Mind. In it, he has already posed that the “openness” that American society preaches as actually an openness to closeness: to the lack of Absolute Truth, which results in the inability to discern Good and Bad (with no truth, there is only endless interpretation, whereas the belief in a good requires that there be a Truth), the inability to seek the Greater Good (other than societal and personal good insofar as what we enjoy and what keeps society going), and so on.
In Bloom’s chapter on music, he takes on a position that brings new light to my evaluation of pop culture music. He talks of how, using music, the “love and sex” ideas infiltrated our culture in the sixties and have become commonly accepted in our culture today (which might be our downfall). Of course, it is nearly impossible to change what the music industry is churning out after allowing it free reign for forty years; it has become part of the culture.
Bloom pointed out, in addition to the immorality of it all, as far as education is concerned, today’s pop music cuts students off from their own souls; in combination with the many other cultural problems America faces, the students are taught through modern music that sex, hatred, and self are all there is. It isn’t necessarily that youth refuse the freshness of the writers of the past in their quest for the fountain of truth (though it is likely some do); for many of today’s youth, the existence of that fountain and the relative ease of seeking it are masked from them. It isn’t that they don’t want what Truth is selling; they are ignorant that Truth is on the market. They are indoctrinated from birth that the only fulfillment on the market is available for small periods of time in the form of the new and catchy, the newest gadgets, clothes, and accessories for their iPod: the triumph of Capitalist marketing.
Bloom also points out that those who do unplug themselves from the music machine of modern culture are left on a permanent low, like someone who has been off of drugs for the first time in years. Suddenly, that person realizes that they will never have another high quite like the first one they had; all they can hope for is something that helps them vaguely remember what their first high was like or the infinite dullness of daily living. Of course, Bloom states, liberal education is meant to show these people that this is not the way things have to be, regardless of what they are told on television and by modern culture.
Bloom also points to another strange and, when examined, alarming trend among modern youth: many have no heroes to look up to, no one who embodies what they want to be. Of course, when you get do to it, many modern youth point to people who have “made it” according to cultural standards as people worthy of emulation. Few people try to emulate Christ (after all, he had no multi-million dollar mansion, no awesome car, not even a family; he just taught us to live right and something about “storing up riches in heaven,” whatever that means, and “the last will be first,” whatever that means, and “Blessed are the poor in spirit,” whatever that means), I’d bet that no one tries to emulate Hercules, Odysseus, Moses, Achilles or any other hero of the past. If students are honest, many would likely say that Bill Gates, Arnold Schwarzenegger, and Donald Trump have lives they wished to have; others might say the name of some movie actor or Olympic athlete that is all the rage today and unheard of tomorrow. After all, if most of today’s youth accept the propaganda that there is no Absolute, then Jesus was just another preacher or even a heretic, Achilles was just foolishly clinging to foolish traditions when he allowed Priam to bury Hector honorably, and Bill Gates is the greatest man in the world because he, having the most money, is able to watch out for himself the best.
Music as it is will probably continue as it has been for the last forty years, which I’m almost certain will be one of the final elements that bring our society to its knees. Something else that Bloom points out is when he tells students of Socrates’ desire to censor music in his perfect society in The Republic, many of them feel as though Socrates is assaulting something precious to them. However, it is in light of our current situation that I see that Socrates may have had a more valid idea than is readily apparent at first examination. I do not think I am quite ready to advocate the censorship of music, but I do now see that such censorship might be necessary if we are to turn back the tide of relativism and remind people that there is something else besides sex, hatred, and selfishness. Of course, some would be turned away by the fact that, in all these years, none (outside the field of religion, anyhow) have claimed to discover the Absolute face-to-face…yet we must also see that men of the past have found more fulfillment in the search for Truth than we have in the abandonment of this search. Perhaps that is what we were built to do…
As a writer, I also feel I must mention that, as a creative writer, I find today’s music destructive in that, instead of conveying otherwise-inexpressible longing and thought, today’s pop music is used to convey our baser instincts: sexual love, hatred, and despair. Such music doesn’t promote creativity; it destroys it, incapacitates it, limits it. From this perspective, it is no wonder that America hasn’t produced any recognizably great thinkers or politicians or artists for the last century or so.
SfC